In the past this was regarded as “almost exclusively a male dancer’s step” (Lishka 1979, p. 30).
“The dancer leaps into the air, turning once, twice, perhaps several times (called single tour, double tour, etc.)” (Lishka 1979 p. 30).
Typical steps in this combination include
Tour en l’air
Sous sous
Plié
Changement
Entrechat Quatre
Entrechat Six
duple (2/4 or 4/4)
triple (3/4)
maestoso - 55 bpm per "count"
"Very large and powerful ... with a strong downbeat" (Lishka 1979, p. 30)
Cross between heavy but a lot of time for dancers' in the air
Not too fast
Changes made in arranged score:
I used only mm. 1-8 and added a cadence at the end.
I added a four-count introduction of the left-hand texture.