This combination can sometimes be called “développés”.
“The quality of these movements is sustained, controlled, deceivingly powerful, smooth, elongated, reaching, and extending beyond the body” (Cavalli 2001, p. 107).
Common steps used in this combination:
Développé
Grand rond de jambe en l’air
Attitude
Arabesque
Penché
triple (3/4 or 9/8)
or duple (4/4 or 12/8)
moderately slow - 50 bpm
Lyrical and connected
In this barre adagio combination, because the teacher demonstrates a “balancé” this combination needs to be in triple meter (a waltz).
The music for the combination needs to be not too slow because there are sections where the dancer needs to hold their leg in second position for several counts.
Changes made in arranged score:
To make this piece work in square phrasing, I only used mm. 1-18 and 92-107.
Reactions while playing the combination:
Despite the demonstration of going straight from one side to another, there was not only need for an eight count (teacher said four but meant eight) balance but then the combination was stopped between sides.