The grand adagio is a combination of movements that are “sustained, controlled, deceivingly powerful, smooth, elongated, reaching, and extending beyond the body” (Cavalli 2001, p. 107).
Typical steps in this combination include
Développé
Passé
Grand plié
Temps lié
Arabesque
Attitude
Promenade
Chassé
triple (3/4 or 9/8)
quadruple (4/4 or 12/8)
slow, broad: 102 bpm per quarter in 3/4
Very legato and flowing
Full sound without playing “too loud”
Fill in quarter notes with more running eighth notes or sixteenth notes, if possible, to show the flowing nature of the combination
The music needs to be slow and "stretchy" with lots of arpeggios if possible.
Changes made in arranged score:
I added a four-bar introduction.
I used only mm. 1-32 to make it square phrasing.
Reactions while playing the combination:
To demonstrate the flowing nature of the piece, I arpeggiated some of the left-hand chords (rather than sticking with just the waltz rhythm).